Books by Roman Payne:

October 25th, 2010

Full bibliography of novels and other books by Roman Payne, published by ModeRoom Press

Roman Payne’s published books include four fiction novels; and one 50-page book that would be classified as “a poem in prose,” printed in a bilingual French/English edition. His books are published by ModeRoom Press.

Novels:

Other Books:

- ModeRoom Press
Publisher of Books by Roman Payne


 

Introductory Glance at The Wanderess by Roman Payne

October 25th, 2010

Below is a description for Roman Payne’s 5th Novel, The Wanderess.  This book is under copyright © 2010, Roman Payne; in conjuction with ModeRoom Press (www.moderoom.com).  Reprinting this description requires permission fromwww.RomanPayne.com

A gothic mystery novel and story of erotic love and romance set against the backdrop of a timeless Mediterranean landscape, The Wanderess tells of the passion of Saul—the self-proclaimed “world’s greatest adventurer and lover”—for the beautiful Saskia, a mysterious young orphan girl whom he meets and vows to protect as his child.  When Saul’s pursuit of pleasure and fortune gets tangled with the quest of this “wanderess” for her long-lost friend and her own fortune, the two find themselves on a picaresque path that leads them through Spain, France, Italy and beyond; their adventures weaving them deeper and deeper into a web of jealous passion, intrigue, betrayal, and finally, murder.  The Wanderess is a love story, a novel of heroism and sexual romance portraying the lives of two unsettled vagabonds led by their own strange desires, mutual obsessions, and one single fortune.

The Wanderess is the fifth novel by Roman Payne, an author who pushes the boundaries of poetic language, imagination, sexual charge, and psychological mystery—his prose bearing always a timeless quality that transports the reader to far-away lands and times.


 

Novel: Rooftop Soliloquy

October 25th, 2010

The newest novel by Roman Payne, the story of adventure and seduction in the French capital

Written entirely in Paris over a two year span during which its author lived every conceivable metropolitan passion and inspiration, Rooftop Soliloquy is a novel as vibrant and alive as the city where it was given seed and a place to grow. The first-person narrative follows the adventures and misadventures of a mysterious individual: an artist, flâneur, composer of operas, and incorrigible rake, who wanders the districts of Paris seducing girls, drinking wine, and looking for that new idea with which to complete his ‘hero’s tale.’ Rooftop Soliloquy is remarkable for the ease and pleasurable pace of the story. The reader is led on a joyful path that wanders from the urban picaresque tale, to the pastoral courtly or chivalric romance, to the pastoral courtly or chivalric romance, to the Homeric-style epic


 

Not to Waste the Spring…

October 25th, 2010
Poem featured in the novel Rooftop Soliloquy

Not to waste the springI threw down everything,

And ran into the open world

To sing what I could sing…

To dance what I could dance!

And join with everyone!

I wandered with a reckless heart

beneath the newborn sun.

First stepping through the blushing dawn,

I crossed beneath a garden bower,

counting every hermit thrush,

counting every hour.

When morning’s light was ripe at last,

I stumbled on with reckless feet;

and found two nymphs engaged in play,

approaching them stirred no retreat.

With naked skin, their weaving hands,

in form akin to Calliope’s maids,

shook winter currents from their hair

to weave within them vernal braids.

I grabbed the first, who seemed the stronger

by her soft and dewy leg,

and swore blind eyes,

Lest I find I,

before Diana, a hunted stag.

But the nymphs they laughed,

and shook their heads.

and begged I drop beseeching hands.

For one was no goddess, the other no huntress,

merely two girls at play in the early day.

“Please come to us, with unblinded eyes,

and raise your ready lips.

We will wash your mouth with watery sighs,

weave you springtime with our fingertips.”

So the nymphs they spoke,

we kissed and laid,

by noontime’s hour,

our love was made,

Like braided chains of crocus stems,

We lay entwined, I laid with them,

Our breath, one glassy, tideless sea,

Our bodies draping wearily.

We slept, I slept so lucidly,

with hopes to stay this memory.

I woke in dusty afternoon,

Alone, the nymphs had left too soon,

I searched where perched upon my knees

Heard only larks’ songs in the trees.

“Be you, the larks, my far-flung maids?

With lilac feet and branchlike braids…

Who sing sweet odes to my elation,

in your larking exaltation!”

With these, my clumsy, carefree words,

The birds they stirred and flew away,

“Be I, poor Actaeon,” I cried, “Be dead…

Before they, like Hippodamia, be gone astray!”

Yet these words, too late, remained unheard,

By lark, that parting, morning bird.

I looked upon its parting flight,

and smelled the coming of the night;

desirous, I gazed upon its jaunt,

as Leander gazes Hellespont.

Now the hour was ripe and dark,

sensuous memories of sunlight past,

I stood alone in garden bowers

and asked the value of my hours.

Time was spent or time was tossed,

Life was loved and life was lost.

I kissed the flesh of tender girls,

I heard the songs of vernal birds.

I gazed upon the blushing light,

aware of day before the night.

So let me ask and hear a thought:

Did I live the spring I’d sought?

It’s true in joy, I walked along,

took part in dance,

and sang the song.

and never tried to bind an hour

to my borrowed garden bower;

nor did I once entreat

a day to slumber at my feet.

Yet days aren’t lulled by lyric song,

like morning birds they pass along,

o’er crests of trees, to none belong;

o’er crests of trees of drying dew,

their larking flight, my hands, eschew

Thus I’ll say it once and true…

From all that I saw,

and everywhere I wandered,

I learned that time cannot be spent,

It only can be squandered.


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- Editor
RomanPayne.com